Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Dmitry Levitzky
Duchess Ursula Mniszech

ID: 59607

Dmitry Levitzky Duchess Ursula Mniszech
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Dmitry Levitzky Duchess Ursula Mniszech


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Dmitry Levitzky

1735-1822) was a Russian-Ukrainian portrait painter. Dmitry was born in Kiev, Ukraine, in a family of clergyman and engraver Grigory Levitzky. His father was his first art teacher. Later be became a pupil of Aleksey Antropov who came to Kiev to paint the Cathedral of St. Andrew. In 1770, Levitzky became famous as a portrait painter after the exhibition of six of his portraits in the Imperial Academy of Arts in St. Petersburg. For the portrait of Alexander Kokorinov, Director and First Rector of the Academy of Arts in St. Petersburg (1769) he was elected an academician and appointed the Professor of the portrait painting class at the Academy of Arts.  Related Paintings of Dmitry Levitzky :. | Alexander Lanskoy | Nikolay Novikov | E. N. Khruschova and Princess E. N. Khovanskaya. | Ekaterina Nelidova, | Portrait of Alexandr Mihailovich Golytsyn |
Related Artists:
William Pitt
fl.1853-1890
Virgilio Guidi
1891-1928 Virgilio Guidi Gallery
Willem Maris
Dutch Painter, 1844-1910 Brother of Jacob Maris. He received his training as a painter from his brothers, Jacob Maris and Matthijs Maris. Although he briefly attended evening classes at the Academie in The Hague and was advised by the animal painter Pieter Stortenbeker (1828-98), he was basically self-taught; he was the only self-made man in the circle of Hague school artists. In 1862 he visited Oosterbeek where he met Anton Mauve, with whom he established a long friendship. In the same year he first entered a painting, Cows on the Heath (untraced), in the Tentoonstellung van Levende Meesters in Rotterdam. The themes of cows at pasture and ducks by the side of a ditch, which characterized the Dutch polder landscape in summer, became his hallmark. In the following year he exhibited Cows by a Pool (The Hague, Gemeentemus) in The Hague; it received discouraging reviews, as did the picture entered by his brother Matthijs. Painted in 1863, this work already employs Willem main motif and shows his attention to the handling of light (with effects of haze and backlighting).






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